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Nina Simone’s Albums Reissued in Acoustic Series

Definitive Audiophile Grade Versions of Nina Simone’s Classic Philips Records Albums I Put a Spell on You and Pastel Blues Showcased as Third Installment of Verve/UMe’s Audiophile Vinyl Reissue Series Acoustic Sounds

LPs Mastered from Original Analog Tapes and Presented in High Quality Packaging Set for November 6 

Nina Simone‘s classic 1965 albums I Put a Spell on You and Pastel Blues will be released as definitive audiophile grade versions as the third installment of Verve/UMe’s recently launched audiophile vinyl reissues series Acoustic Sounds. Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, the LPs, which will be available November 6, were mastered in stereo from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality tip-on gatefold jackets. Like all Acoustic Sounds titles, the releases are being supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings. The Simone titles follow the Acoustic Sounds editions of John Coltrane’s A Love Supreme and Ballads set for release October 9.

Pre-order I Put a Spell on Youhttps://Verve.lnk.to/NSSpellOnYou

Pre-order Pastel Blueshttps://Verve.lnk.to/NSPastelBlues

I Put a Spell on You and Pastel Blues are two of the seven incredible albums that Simone recorded for Philips Records during an extremely prolific four-year period from 1963-1967. Lauded during their initial releases, both albums have only grown in stature and popularity over the years as Simone’s timeless recordings, many covering such important territory as race and equality, remain as vital and relevant as ever 55 years later. A distinctive contralto vocalist and Julliard-schooled pianist who expressively melded jazz, blues, pop and classical in her repertoire, Simone was unlike most other top-line vocalists of her time as the ardent political activist often used her voice to protest racial inequality and became a siren of the civil rights movement. In 2018 Simone was inducted into the Rock and Roll Hall of Fame, who proclaimed: “Her triumphant voice sang what it meant to be young, gifted and black in a sometimes unjust and troubled world.”

Dubbed the High Priestess of Soul, Simone radiantly covers a wide range of emotional territory on I Put a Spell on You, including angst in relationships, true love blooming in the trees, the bluesy acceptance of life, and moody anger. Producer, arranger and conductor Hal Mooney contributes the compelling orchestral support along with Simone’s guitarist Rudy Stevenson in creating the perfect backdrop for Simone to express, sometimes viscerally, sometimes joyfully.

The album opens with her hit title track written by Screaming’ Jay Hawkins whose 1956 recording was selected years later by the Rock and Roll Hall of Fame as a seminal genre shaper. Simone, who named her 1992 autobiography after the song title, sings with a devilish enchantment in a ballad-like setting as the ominous strings swell. She also covers Jacques Brel’s Ne me quitte pas” in a moving rendition of a tragic lost love, ranges upbeat with the witty “Marriage Is for Old Folks,” leads the band in the instrumental “Blues on Purpose” with tasty licks by the pianist and Stevenson, and wonderfully zips into the popish swing on “Gimme Some,” which is Simone’s lusty embrace of love. In the original liner notes, Trouble in Mind,” an often-covered tune that the Blues Foundation in 2020 inducted into the Blues Hall of Fame as a “classic Blues Recording.” 

You can hear Simone own the compelling lyrics as

October 9 / Impulse! Records

  • John Coltrane – Ballads (1963)
  • John Coltrane – A Love Supreme (1965)

 November 6 / Philips Records

  • Nina Simone – I Put a Spell on You (1965)
  • Nina Simone – Pastel Blues (1965)

November 20 / EmArcy Records

  • Sarah Vaughan – Sarah Vaughan (with Clifford Brown) (1954)
  • Clifford Brown and Max Roach – Study In Brown (1955)

December 11 / Decca Records

  • Peggy Lee – Black Coffee (1956)
  • George Russell – New York, N.Y. (1959)

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