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Dog In The Snow Share New Track “Dual Terror”

Dog In The Snow "Dual Terror"
Dog In The Snow “Dual Terror”

Having last month announced the release of new album Vanishing Lands, available November 15th via Bella Union, today Dog In The Snow have shared a dark and visually arresting video for new single “Dual Terror”, directed by Jay Bartlett.Of the track Helen Ganya Brown aka Dog In The Snow says:

“I had a dream that I met a different version of myself, one that I met alone in an abandoned house. The song parallels that with the paranoia of the end of the world, and our obsession with the apocalypse.” Of the video Jay Bartlett adds: “This track was cagey, paranoid and a real trip through a dream. I wanted to mess with expectations/reality and make an over the top tripped out horror. This was a fun one, I let most of the edit do the heavy lifting and made sure the mad shit kept ramping up.”

Dog In The Snow’s album debut for Bella Union is Vanishing Lands, an imposing, haunting and luminous collection of songs in the darker spaces between dream-pop, art-rock and electronica, lifted by euphoric melodies, ravishing vocals and absorbing lyrics. Vanishing Lands was initially created at Brown’s home in Brighton before co-producer Rob Flynn helped her add shifting, impressionistic swathes of colour, from the ominous chords that open”‘Light” to the vocal eddies that close “Dark”. Brown wrote 8 of the 10 songs in a 3-week spell after a period of “strange dreams”.

She recalls: “Dreams in black and white. I found myself in a dreamland and discovered it was being destroyed. I chose Vanishing Landsas an album title because it sounded suitably desolate, and lent the songs a feeling of cohesion.”The themes of the two oldest tracks suit the ‘ruined world’ scenario. “Icaria” is named after a utopian society establi

Gold” refers to America’s gold rush bonanza of the same era, when people searched for a better life, but instead created and faced catastrophe. Born to a Thai mother and Scottish father, Brown was raised in Singapore from the age of five to eighteen, when Sufjan Stevens, Scott Walker, David Lynch, Clint Mansell and Brian Eno: brooding, immersive, filmic universes through which Brown could escape her shy nature.

But “I was trying to think of something with limitless creative space that doesn’t feel hindered in any way.”

The plight of the individual battered by the political system is echoed by the hooded black figures that appear in the album imagery, including the video that Brown has made for the fragile album highlight “Roses“. Her inspiration was a photo of refugees at sea, their faces hidden, desperate to escape their ruined homeland. But would their destination, if reached, provide comfort or more ruin? “It doesn’t help when people aren’t welcoming,” Brown says. “That was my mother’s experience when Dark” is “the most optimistic song on the album. Like I’m waking up from this dreamland and finding freedom rather than it being a negative feeling. Because things do change. We have to hope things will get better.”

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