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Guest Blogger Eric Rhoads from Radio Ink: What Radio Will Avoid — That Could Save It

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The Industry Dot Biz: I saw this and had to tell Eric we think so much alike. Eric is one of the radio industry people who gets it and I always enjoy talking to him.  I had written something very similar about syndication today as well. Eric runs Radio Ink, one of the few trades I respect and read daily.
Kev Ross

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When I was a 14-year-old kid, radio seduced me. I wanted to be a radio star because radio was where all my friends spent their time. Being in radio was cool. Many of us entered the radio industry inspired by various on-air personalities. I was inspired in the early ’70s by the likes of John Records Landecker, Charlie Van Dyke and Fred Winston at WLS, Larry Lujack at “Super CFL,” and pretty much all of CKLW in Windsor/Detroit, all within the range of my hometown.

There were even some local radio heroes who inspired me, like Bob Dell at WOWO and Gary Lockwood, Chris O’Brien, Guy Hill, Jay Walker, and Bill Anthony, the “Live Guys” at WLYV, who were at every school dance and every event in town. I was attracted to the fun they were having on the air, their pranks, their relationship with the music, and the fact that they were stars.

Of course, these guys made it easy for me to break into the business by letting me watch them do their shows, sneaking me into the production room to practice being on the air, and letting me run the Sunday-morning church tapes to learn the board. I remember shaking when I did my first few live IDs. Before long I was doing weekends on the air with the help of these very giving local DJs.

Aside from the fact that there are few places to get this kind of experience in radio today due to voicetracking, automation, and network programming, I wonder if there are as many young teens inspired, as I was, to get into radio. I’m sure they’re out there. But chances are they are being ignored and not given any opportunity. So where will they land?

Being Illegal
When we wanted to get on the air in the worst way, my friends and I created an illegal low-power radio station with an old army transmitter (I hope the statute of limitations has expired). Today, if we were really driven to be on the air, we would have a potential audience of millions if we could get our stream online and find a way to spread the word virally. There are hundreds of thousands of online radio stations out there.

Future Personalities
The Internet, of course, is where the personalities of the future go to become stars. But, unlike my generation of wannabe DJs, this new breed will be converging all media. We’re already seeing it, among bloggers who write and produce podcasts and other forms of audio and video. Simple distribution methods allow anyone with talent to emerge on any number of platforms. I believe that hyperlocalism is the future because of the desire for local connectivity. It’s already becoming huge.

Like the hyperlocal radio stations of the past, or local TV stars and newspaper columnists, these new web Radio DJs will be doing it all, on focused websites that are all about local entertainment, local news, local community events and affairs.

Burning the Ships
I know what you’re thinking. “We’ll do that. It’s what we do best in radio, so we’ll just extend our brand.” The problem is that this isn’t about brand extension. If you do it, it needs to be about brand-shifting, where your brand shifts online and you’re aware that the on-air brand will ultimately play the supporting role.

But most radio folks not only don’t want to believe that, they simply can’t. It’s too radical. It will require real budgets, money invested in talent, and, when it comes down to it, you or your company probably won’t or can’t make the choice to support the new at the expense of the old.

John Temple, the former editor, president and publisher of the now-closed Rocky Mountain News, recently spoke at the Google Future of Media Conference at UC Berkeley, and he said that was exactly why his newspaper failed. Company executives simply could not believe the website would, could, or should become more important than the newspaper, so they didn’t allow the site to make the moves it needed to. They always looked at the site as a supporting promotional effort rather than THE place consumers were going — for instance, if a reporter got a scoop, company executives insisted it be held for the paper rather than getting the news online.

Nah, It Won’t Happen to Radio
I’m not one who hails the death of radio, but I do think that radio as an industry could place itself at risk if it’s not willing to build new ships to sail on their own and not willing to — eventually — burn the old ships behind us. We can arrogantly say that what’s happened to some newspapers (and more to come) won’t happen to radio. That’s what the newspaper people said.

Though it’s not practical or smart to shutter our radio stations, it is practical to make sure we offer products consumers want and realize that we’re not in the radio business, we’re in the information and entertainment distribution/product-moving business. If consumers want hyperlocal online products, we should be building them. We have to be willing to let go of concepts like “broadcasting” and the belief that we are the experts that people want to hear from and that we decide what people will want to hear played or talked about. Radio must become totally consumer-driven, and each of us should be investing in Internet-only businesses that will stand on their own and not serve as radio support vehicles.

Relying on Our Past
I’m sure this all sounds very obtuse. I’m used to it. But there is an entire generation that thinks, acts, buys, listens, and responds differently than any generation before it. Your future and the future of the industry cannot rely on lifelong baby boomer listeners. It’s time for bold moves, big investments (yeah, I’m a realist and I know no one can spend a dime), and the people who do that may become the hyperlocal media of the future.

Few in radio are doing it. CBS is working very hard and making some interesting decisions, and that leads me to believe they get it. Another company was doing it, but investors who could not see immediate returns opted out and removed the CEO. A couple of local, independent stations are doing it. Of 12,500 radio stations, I’m aware of maybe five moving in this direction.

Outsiders Are Usually the Innovators
Oh, did I mention that everyone in the tech world believes that two of the big trends of the future are hyperlocalism and the “convergence personality,” who is a writer, an on-camera talent, and an on-air talent (online), all rolled into one? The new communication vehicles will be created by someone; if radio wants to control them in local markets, they should jump on this fast. But, sadly, they won’t. And it will take an outsider to do it and eat our lunch, much as Craigslist did to newspapers, which lost billions in classifieds revenue overnight.

Eric Rhoads
Radio Ink

[email protected]

Woman Who Opposed Obama Racist Cartoon at New York Post Fired

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The Industry Dot Biz: The New York Post, known for its bold headlines and outrageous stories is making headlines of its own, this time for firing one of the paper’s top editors. Sandra Guzman is an Emmy Award winning Journalist who edited the paper’s Black History Month section and the Harlem Week Section for years. Guzman is also the same woman that criticized the infamous racist “stimulus package” cartoon that appeared in its pages. Her removal from her position is raising eyebrows especially from people who claim the paper’s track record with minority employees is shaky.

Many people questioned the judgment of editors at the paper after the cartoon hit newsstands depicting the “unnamed” author of the economic stimulus bill as a rabid chimpanzee shot by two police men saying: [source]

Larry Jackson Promoted to President, A&R, Arista Records/EVP, A&R, RCA Music Group

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The Industry Dot Biz: Larry Jackson has been promoted to President, A&R Arista Records/EVP A&R, RCA Music Group it was announced today. He was previously Senior Vice President of A&R, RCA Music Group. Larry continues to report to Barry Weiss, Chairman & CEO RCA/JIVE Label Group and is based in the company’s New York headquarters.

Jackson joined J Records upon its inception in 2000. During his tenure, Larry has handled the A&R process for multi-platinum artists such as Jennifer Hudson and her Grammy winning self-titled debut album, Leona Lewis’ debut album Spirit and this fall’s follow up ECHO. Most notably, Larry is co-producer for Whitney Houston’s acclaimed, successful musical return, I Look To You, which has already sold close to a million copies to date. Additionally, Larry is working with Monica on her new album set for release in December and has begun work on the debut for singer/hit songwriter BC Jean, who penned Beyonce’s smash “If I Were A Boy.” Jackson was recently selected one of Billboard’s “30 Under 30” in recognition of his contribution to the music community.

Before joining the team at J Records, Larry was the Music Director and a prominent on-air personality at San Francisco ’s KMEL. Jackson began his career there as an intern.

Barry Weiss comments: “Larry is an exceptional A&R executive – he has an incredible knack for pairing an artist with material that best suits their talent. He has excellent relationships within the creative community and has a great ear for identifying new talent whether it be a performer, songwriter or producer.”

Commenting on his promotion, Jackson states “I am honored and humbled by this incredible opportunity presented to me. I would like to offer with the utmost gratitude, my heartfelt thanks to my teachers Clive Davis, Barry Weiss and Keith Naftaly, all of whom have bequeathed a wealth of knowledge upon me that has brought me to this point.”

Mike Epps Video Feat. Young Dro, Nitti & Dorrough – Ain’t Chu You (pic)

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The Industry Dot Biz: Atlanta is becoming the new urban industry capital. The only thing the city needs now is for someone to organize industry events. Courtesy of Freddy0

Late DJ AM’s series `Gone too Far’ to air on MTV

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The Industry Dot Biz: MTV is going ahead with plans to air the late DJ AM’s “Gone too Far” documentary series, in which he and concerned families staged interventions for young drug abusers, with the first episode set to air Monday. The 36-year-old celebrity spinner, whose real name was Adam Goldstein, was found in his Manhattan apartment on Aug. 28 after a friend called 911. The medical examiner’s office has ruled that he died of an accidental overdose of prescription drugs and cocaine.

MTV says in a statement that it decided to move ahead with the eight-episode series, created and hosted by Goldstein, with the consent and support of his family. Goldstein had openly discussed past addictions to crack cocaine, Ecstasy and other drugs.

WOW: Look at Salt and Pepa

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The Industry Dot Biz:

WHAT: Donald Trump Looking for Black Men for New Show (casting notice)

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The Industry Dot Biz: rfocus.orgWe got this today…

CASTING NOTICE

Donald Trump Productions (NBC’s “The Apprentice”) and Juma Entertainment (ABC’s “The Superstars”) have teamed up for a groundbreaking new show!

We are currently conducting a nationwide search for successful, eligible bachelors who think they have what it takes to win the heart of a well known bachelorette, who is a major TV personality and Donald Trump’s close friend.

Donald Trump Productions and Juma Entertainment are presenting a relationship show unlike any other, titled “The Ultimate Merger.” Donald Trump will take on the role of matchmaker to help a well known bachelorette achieve the “ultimate merger” – a successful relationship.

“Love is a serious business,” says friend and mentor Donald Trump, who will help select a group of eligible bachelors to stay at Trump International Hotel and Tower in Las Vegas and prove they have what it takes to win her heart!

SEEKING SINGLE MEN:

• 21yrs and older

• All races and ethnicities

• Able to work in the US

• Legal US resident

• Outgoing with big personalities

• Financially successful

If you have what it takes to win our Bachelorette’s heart, please email the following information ASAP to [email protected]:

• A brief description of yourself

• Recent photos of you

• Contact number/s where we can reach you

Author Mark Curry “Dancing with the Devil” Talks about Diddy and Gay Rumors (vid)

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The Industry Dot Biz: This interesting interview with Curry (not the comedian) was via gyantunplugged.com. Who is he talking about when he said the person might “Kill themselves.” I have an idea. Do you?

OH NO: Rick Ross Falls and People Laugh (vid)

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The Industry Dot Biz:

Behind the Scenes in a Nightclub, The Environment is not for Everyone

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The Industry Dot Biz: In the wake of Kand i Burruss’ fiance AJ Jewell, who was the co owner of Atlanta’s The Body Tap, it got me to thinking about how I once had to go behind the scenes in nightclubs for various things like remotes or to collect fees for something my company was working on. I can honestly say, while all clubs may not be like this, the amount of tension in those club offices runs VERY high. I’ve seen everything from groupies to guns in those areas and money on the table where anyone could take it. Oddly, very little security and the managers and promoters are usually extremely high strung.

One club recently asked me to do some marketing for them and the female owner kept her gun on the counter IN FRONT OF CUSTOMERS! I got a bad vibe about this spot and I declined but I asked her why she left the gun in such an obvious spot and she said “People know not to fook with me.” Then I asked her what if a customer came up and grabbed it and used it on her and she said… “I never really thought of that, but I don’t think it will happen.” Less than 2 weeks later she picked the gun up off the counter before closing and it went off, shooting an employee in the head and killing him. She got away with it as an accident but DAMN!

In addition, I was talking to a friend this weekend and I asked him what has happened to black men where we have so much rage against each other. What would cause someone to stomp someone to DEATH? When I did one remote years ago, I actually saw it happen then too it’s like the crowd is paralyzed and I see why people don’t jump in and help. The person who is doing the stomping has so much rage that people are shocked and immobilized and it would take the strength of at least 5 to 10 men to subdue them and they would probably have to seriously hurt him in order to do that. In addition they, of course, don’t want to be next if they don’t get help from other brothers and the element of the police comes in too. What kind of legal implications will they face if they stop this man from killing another man by killing him? Most people go out to have a good time, not to be killed so most people are not even in that mindset it’s just easier to keep walking. When you mix alcohol, money, competition, women, men and all the other elements that go along with that lifestyle, it’s easy to see why there is so much tension, it really takes a special kind of person to run and manage a nightclub or to do club promotions. I take my hat off to them.

OH NO: Legendary Hip Hop DJ Mr. Magic Dies of a Heart Attack

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The Industry Dot Biz: Mr. Magic, an important figure in the world of hip-hop radio, debuted in 1983 on WBLS-FM in New York City with the first exclusive rap radio show to be aired on a major station. Billing itself as Rap Attack, Magic’s show featured Marley Marl as the DJ and Tyrone “Fly Ty” Williams as the show’s co-producer. Magic’s reign on the New york City airwaves lasted six years and was instrumental in broadening the scope and validity of hip-hop music.

During the mid-80s there was a rivalry between Mr. Magic and Kool DJ Red Alert, who hosted a weekly show on WRKS-FM. The feud also played out between proxy rap groups, the Juice Crew and Boogie Down Productions (see The Bridge Wars). The Juice Crew – headed by Mr. Magic’s on-air assistant, DJ Marley Marl – was named after one of Magic’s aliases, “Sir Juice.”

As confirmed by DJ Premier, the legendary Mr. Magic died on the morning of October 2, 2009, due to a fatal heart attack

OH NO: Station will give you backstage passes if you dress your daddy like WHO?

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The Industry Dot Biz: This is actually pretty funny.

MANTEL IN THE MORNING DRESS YOUR DAD LIKE TAYLOR SWIFT

Cleveland , Ohio”¦Cleveland ‘s Country 99.5 WGAR has backstage passes to send a lucky winner (& Guest) backstage to meet Taylor Swift at her SOLD OUT show on Saturday, October 3rd at The Quicken Loans Arena.   We could give them away to caller #9 on the radio, but that would be too easy.   Instead Mantel in the Morning brings you the BEST LOCAL photo opportunity of the week:   DRESS YOUR DAD LIKE TAYLOR SWIFT for the opportunity to win!   Join Jim Mantel on Friday, October 2nd at 6 PM in the WGAR Parking Lot for this unique photo opportunity.

WHO:   Mantel in the Morning from Cleveland ‘s Country ““ 99.5 WGAR.

WHAT:   Gives Taylor Swift fans a chance to win BACKSTAGE PASSES for her SOLD OUT SHOW on Saturday night (10/3/09) at Quicken Loans Arena.   All you have to do is dress your Dad like Taylor Swift for the chance to win.   A panel of judges has been assembled to judge all contestants.   One lucky Dad dressed like Taylor Swift will win 2 backstage passes & 2 tickets to the SOLD OUT CONCERT!

WHEN:   Friday, October 2nd at 6 PM.

WHERE:   WGAR Studios Parking Lot located at 6200 Oak Tree Boulevard in Independence.

HOW:   All Dad’s showing up at 6 PM will each be given a number.   Each Dad will be asked to step forward in sequential order to be judged by the WGAR officials.   The Dad that collects the highest point total will be awarded a pair of tickets and a pair of backstage passes to meet Taylor Swift on Saturday night at Quicken Loans Arena.   Only 1 winner will be selected.   Don’t miss this photo opportunity to capitalize on TAYORMANIA!

Mantel in the Morning can be heard weekdays from 5:00 a.m. until 10:00 a.m. on Cleveland ‘s Country 99.5 WGAR FM.

50 Does a 180: Usually Independent Thinking Rapper QUICKLY Apologizes for Negative Gay Remarks

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The Industry Dot Biz: Controversial rapper Curtis “50 Cent” Jackson made some disparaging remarks about gays on the Angie Martinez show this week. The rapper QUICKLY apologized for his remarks today before Hollywood’s gay community took note. Previously admitting that his own late mother was a lesbian and after having a few clashes with the gay community before this,   50 states: “During an interview with Angie Martinez yesterday, certain comments I made were taken entirely out of context. When I referred to the Lady Gaga tour as the “gay tour” I was basically repeating what I thought she had referred to the tour in the past. It was not my intention to offend anyone. I don’t have a problem with anyone’s lifestyle and have no issue with Lady Gaga, she makes great music.”

BET Takes Another Step BACK: Creates New Game Show To Pay People’s Bills? What’s This.. Another Hot Ghetto Mess show?

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The Industry Dot Biz:  width=Every time BET takes two steps forward it seems someone in the programming department has a idea to take the network 2 steps back. I will readily admit, I almost never watch the network but this new show is simply ridiculous. “PAY IT OFF” Hosted by Actress/Comedienne Kim Coles Gives Contestants the Chance to Get Out of the Red and Into the Black in an Exciting, Fun Atmosphere (then return to poverty?)

In these tough economic times, wouldn’t it be nice to get out of the red and on the path to financial freedom? (Sure but does everybody have to KNOW I didn’t pay my rent this month? Just give me the damn money!) Everyone is looking for some relief, especially debt relief. This fall, BET introduces a groundbreaking new game show PAY IT OFF, which gives contestants the chance to change their lives and pay off mounting debt just by answering a few questions. Hosted by actress/comedienne Kim Coles, the one-hour show premieres Friday, October 2 at 10:00 p.m.*

Lets face it, Kim’s career stifled after Living Color and it’s never been the same. She needs the work but Damn BET GROW THE FOOK UP.