SLASH, the iconic, GRAMMY®-winning guitarist and songwriter, has announced his highly anticipated sixth solo album titled Orgy of the Damned, will be released on May 17 via Gibson Records and is available to pre-order now HERE. A collection of 12 dynamic songs that shakes up and revitalizes blues classics with a stripped-down, instinctive approach, SLASH’s new album, Orgy of the Damned, creates a singular expression that pays homage to the blues.
The first single “Killing Floor,”-which features Brian Johnson of AC/DC on vocals, and Steven Tyler of Aerosmith on harmonica-is an electrifying, raucous and gleefully unbridled take on Howlin’ Wolf’s 1964 Chicago blues standard; stream “Killing Floor,” out today HERE.
Watch/share the new video for “Killing Floor,” which offers a first look at SLASH and his blues band Johnny Griparic (bass), Teddy Andreadis (keyboards), Michael Jerome (drums), and Tash Neal (vocals/guitar), recording the song in the studio HERE.
“‘Killing Floor’ is one of my favorite Howlin’ Wolf songs, but also one of the iconic blues riffs that turned me on as a young guitar player. I’ve always wanted to cover it in some capacity and this record was the perfect vehicle. But playing it with this band, and with Brian Johnson singing, it was an achievement I would never have imagined back then. Let alone Steven Tyler providing the harp.”
“When Slash asked me to sing on ‘Killing Floor,’ I said yes immediately. It was one of the first songs I learned in my very first band, and when he played me the backing track it was a no-brainer, and Steven’s harmonica is so bloody hot. I had a ball with Slash in the studio, and I think we did this great old song justice. Rock on.”
By celebrating both well-known and largely undiscovered songs, SLASH offers a nostalgic nod to the past while reinvigorating the songs with his inimitable guitar playing and the spirit of collaboration. For Orgy of the Damned, the acclaimed guitarist re-teamed with storied producer Mike Clink and enlisted the album’s diverse guest vocalists, which include Gary Clark Jr, Billy F. Gibbons, Chris Stapleton, Dorothy, Iggy Pop, Paul Rodgers, Demi Lovato, Brian Johnson, Tash Neal, Chris Robinson, and Beth Hart, in a similar way to his 2010 self-titled solo LP Slash.
To round out his band in the studio and on the road, SLASH reunited with two of his bandmates from his Blues Ball outfit in the 90s, bassist Johnny Griparic and keyboardist Teddy Andreadis, and brought on drummer Michael Jerome and singer/guitarist Tash Neal.
Although he grew up in England, SLASH’s American grandmother turned him on to the blues early on, and he was immediately taken with B.B. King. At the same time, his parents raised him on a healthy diet of 60s British rock ‘n’ roll, from The Who to The Kinks.
Once he moved to Laurel Canyon, SLASH found himself surrounded by rock and folk singers like Joni Mitchell, Crosby, Stills & Nash, and Neil Young—all of whom eventually inspired his playing and songwriting. It wasn’t until he began playing guitar himself that SLASH realized all of his favorite musicians had been influenced by the same B.B. King blues records he’d listened to as a young kid.
Orgy of the Damned encompasses a broad range of styles within the blues genre, veering from an upbeat, rowdy take on Robert Johnson’s “Crossroads” to a plaintive, twanging rendition of T. Bone Walker’s “Stormy Monday.” Some of the songs, like Steppenwolf’s “The Pu
