Rochdale-born singer-songwriter Morgan Harper-Jones today releases her new single “2D“, the latest track following “Alone With You” “Boombox” and “Joshua” to be taken from her debut album Up To The Glass, which is set for release on March 22 via Play It Again Sam. Morgan says, “’2D’ is probably the most “Up To The Glass” song on the album.
Feeling a bit flat and numb and detached from my experience and wanting desperately to feel human again. I think I’ve spent a lot of life feeling very disconnected from myself, and not listening to my gut feelings. So ‘2D’ was kind of an “ARRRRGHH IM LOSING MYSELF HOW DO I FEEL LIKE ME!!!?”
Listen to “2D” HERE
Morgan Harper-Jones is in the middle of a moment. Her music featured prominently in Netflix’s recent international #1 smash ‘Love At First Sight’, in the process catapulting Morgan into Shazam’s global Top 10 as well as seeing exponential growth across streaming and socials. Morgan is also becoming a live word of mouth sensation, selling out her two recent headline shows in both London and Manchester.
Up To The Glass is a delicate exploration of finding yourself in your twenties against a backdrop of love, self-acceptance and loss. Documenting those universally defining moments of young adulthood through the prism of Morgan’s own perspective, it explores deeply personal themes such as the passing of her grandparents, anxiously over-thinking every minor mistake, and yearning for a love that’s destined to remain unrequited.
Morgan eventually found solace to those struggles through both therapy and the cathartic release of expressing herself through song. She’s an old soul with a significant appeal to her generation, her confessional dream-pop evoking influences which range from Maggie Rogers and Harry Styles, to Aldous Harding and St. Vincent, and back to Joni Mitchell and Paul Simon.
Morgan says, “The full spectrum of human emotion is here, and I hope listeners will recognise themselves and find comfort in these songs in some way. I feel like I’ve finally accepted that it’s okay to feel however I want to feel without apologising for that, as long as I try my best and don’t behave like an arsehole I’m all good, and this album is a record of getting to this place.”
The album’s intimacy comes from a streamlined approach to her creative process. Whereas her previous two EPs featured a wealth of collaborators, the majority of this record was initially written on acoustic guitar in her bedroom before being developed with Iain Archer. It’s an approach which heightened the personal touch that will make these songs speak to countless other people: a comforting “you’re not alone” in musical form.
It’s a feeling that’s prevalent whether March 14, tickets on sale HERE.
